’s Sixth Generation of filmmakers who emerged in the early 1990s, the 56-year-old Hu has, across the past three decades, found a sweet spot that allows him to balance a career making commercial films that ensure his own financial survival, such as the chest-thumping war epicwas a case of the latter, with dark humor framing its gritty tale of an ex-con returning to his rural hometown to start his life again.
Jiang picked up the Authors Under 40 Award for best directing and screenwriting in Venice, and she’s up for best director and best film at the Asia Pacific Screen Awards on Nov. 30.Asian Film Academy, a 20-day program hosted by Asia’s biggest film festival designed to unearth talent from the region. She was named the co-winner of the initiative’s most promising filmmaker award after producing four of the eight short films the students were required to make.
“The experience of COVID-19 encouraged this generation to reflect and focus on their own stories, leading to the creation of fresh ideas,” she says. “As a result, more low-budget, high-quality films are being made. Diversity is reflected not only in content but also in filmmaking styles, with young filmmakers boldly experimenting and crafting their own unique approaches to challenge and innovate.”had made its world premiere at the Shanghai Film Festival in June.
“I think Chinese audiences have enthusiasm and strong interest in stories that depict contemporary Chinese life,” Zhang says. “After experiencing rapid development the past few decades, Chinese society has entered a new phase. Audiences are also eager for movies to bring stories directly related to their current life in this new phase. In recent years, films with realistic themes have been very popular in the mainstream Chinese market.
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