Women outwit Hollywood bias with help from industry insiders

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A study of the 250 top-grossing films in 2019 by San Diego State University's Center for the Study of Women in Television and Film found that women comprise 6 per cent of visual effects supervisors, 5 per cent of cinematographers and 19 per cent of writers. A centre report on last season's TV shows found similar patterns.

Kaitlyn Yang poses on the set of 'Polaris Primetime.' LOS ANGELES -- Kaitlyn Yang knows it's rare for women to work in visual effects but wanted to find out just how much company she has.

Yang, whose perseverance led to the creation of her own firm, Alpha Studios, is among those succeeding in Hollywood. That's true as well of Layne Eskridge, a former Netflix and Apple TV executive who just launched POV Entertainment; writer Gladys Rodriguez, whose credits include "Sons of Anarchy" and "Vida"; and Sandra Valde-Hansen, cinematographer for more than a dozen independent films.

The program offers 50 paid, eight-week summer internships on Los Angeles TV productions to college students nationwide. Eskridge has found that older writers can be uncomfortable with an executive who is younger and Black. That appeared to be the case with a sitcom creator she ushered into her office for a first meeting.

 

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