Inside the Business of Western Songwriters in K-Pop & J-Pop: ‘The Money Is Too Good to Ignore’

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K-pop and J-pop labels are using U.S. songwriters, and we go inside the growing trend - including the increasing role of local lyrics translators.

Lisa, Jisoo, Rosé and Jennie of BLACKPINK perform onstage at the 2023 Coachella Valley Music and Arts Festival on April 22, 2023 in Indio, Calif.Lately, most Western songwriters want to work with K-pop or J-pop acts. But Beckuh Boom — the American songwriter behind hits for— remembers when that wasn’t the case. “When I started taking trips to Seoul back in 2012, everyone I talked to about it kind of laughed at me or just didn’t get it,” she says.

Common words and phrases like “let’s go” or “boom,” or slang like “Westside,” which are often derived from American rap music, might still make the cut in a K-pop or J-pop song, but that’s about it. Unless, of course, it’s a song intended to be a Western crossover hit, like BTS’s Billboard Hot 100 No.

But why do Japanese and Korean labels use so many songs from Western songwriters when their local industries are thriving? First, J-pop and K-pop have always found inspiration from American music, especially bubblegum pop and rap, so many believe working with Western — especially American — talent is a natural fit. Taking foreign pitch records also might increase a K-pop or J-pop act’s ability to capture the attention of the music market abroad as well as at home.

 

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