I, meanwhile, am praying that next year the entertainment industry doesn’t drop the ball. Again. At the movies: Cull the superhero flicks that ‘Madame Web’ underperformed in the theaters because the press just crucified it. It was not a bad film, and it did great on Netflix. Come back to us, Tony! Your soulless schlock was a worldwide punchline.
You see? Scaling back, building anticipation and not making the same old formulaic movie (the Ryan Reynolds/Hugh Jackman film was a buddy comedy) worked wonders. Rival DC (Warner Bros.) is following suit, making the youthful reboot of “Superman” its sole 2025 release. Frankly, I could even do without that one. ‘All In: Comedy About Love’ review: Starry Broadway show’s a big waste of money“Captain America: Brave New World,” “Thunderbolts” (whatever the hell that is) and “Fantastic Four: First Steps” will, they hope, return the MCU to the glory days of 2019 when “Avengers: Endgame” grossed $2.8 billion and “Black Panther” was nominated for Best Picture. Never gonna happen. The moment has passed. Sayanora. Everybody should do some capes-and-spandex soul searching in 2025.A parade of Anglo flops passed by: “Back to the Future: The Musical,” “Caroline, Or Change,” “Life of Pi,” “The Hills of California” and “Patriots” among them. Elton John’s $25 million “Tammy Faye”There have been hits too — notably “Prima Facie,” starring Jodie Comer, and “Merrily We Roll Along.” And I wish the same success for the magnificent” open in the Spring. Every Broadway insider who’s seen “Stranger Things” cannot stand it, and sales in London have fallen off a cliff. An auspicious start! In 2025, power-hungry (and frequently inept) British producers and our new UK-based theater landlord, Ambassador Theatre Group, need to wake up and realize that Broadway and the West End are not the same thing. Unless their goal is losing millions. That the era of peak TV is over. And we’re back to base cam
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