And we’ll continue — I think there are a couple more shows we'll deliver pretty much entirely from home.In the spirit of honesty, there was an initial slowdown, which we were transparent about with our clients. I think there was two to three weeks of not being as efficient, just through the act of getting your remote set up working and broadband connection not being fast enough. We had to pay to have some people’s connections upgraded, things like that.
There have been a lot of discussions about shooting in a post-coronavirus world and how that will look, but how do you think it will impact the VFX side of the business? Hopefully there will be ways that we can get more work, because we do have to deal with the fact that people aren’t shooting at the moment and that's going to mean there’s an as inevitable gap in our business coming up.