Dungey admits that there’s some titles that she and her team pitch to writers under deals atand they receive a “fair amount” of incoming calls from writers and producers on old IP.
But, she cautions: “The truth of it is, in the course of my career, I’ve worked on many, many, many shows that were inspired by IP, and a majority of those shows were not successful. If you have a great title, you can certainly market it and you can get a certain amount of people to show up because they either have a fondness for the title. But there has to really be a reason for the reboot or the retelling to exist.
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