Why the New York Times Is Getting Into the Documentary Films Business (EXCLUSIVE)

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Lance Oppenheim didn’t set out to make an 83-minute documentary when he started chronicling a group of senior citizens living in a retirement community in central Florida. But after 18 months and h…

didn’t set out to make an 83-minute documentary when he started chronicling a group of senior citizens living in a retirement community in central Florida. But after 18 months and hundreds of hours of footage, he began to see the outline of his first feature-length film, “Some Kind of Heaven,” which premieres this week at the Sundance Film Festival.

. And romantic comedy fans can’t get enough of “Modern Love,” a scripted Amazon anthology series based on the popular column about fleeting romances and missed connections .At Sundance, the Times will be debuting its first two feature-length documentaries. In addition to “Some Kind of Heaven,” the venerable journalism brand has “Time,” directed by Garrett Bradley, about a woman in Louisiana attempting to free her husband from a 60-year prison sentence.

It makes sense because documentary films are as popular as ever, coveted by almost every entertainment company from HBO to Netflix to Focus Features. The Times began exploring the space in 2011, when it launched its successful, and ongoing, Op-Docs series — journalism told through short films, which have gone on to land three Oscar nominations. Making these movies longer was the next logical step for Lingo, who previously ran Op-Docs and now has the title of editorial director for film and TV.

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So they can be in the news more instead of just reporting the news overpriced rag

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