How Auto-Tune took over the music industry

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Thanks to Cher, T-Pain, Kanye West, and so many others, Auto-Tune has dominated pop music for decades. We talk about how, and where it goes next, on The Vergecast.

Popular music changes all the time, but there’s been one consistent element in practically everything released in the last two decades: Auto-Tune is everywhere. What started as a simple audio processing tool in the 1990s has become the dominant force in music. Artists are training to sing with Auto-Tune; songs sound like Auto-Tune. Like it or hate it, Auto-Tune is everywhere. And to be clear, most people like it.

Maybe, after all this time, we should think of Auto-Tune not as a way to mask our deficiencies as musicians, but just as another instrument to play. And as ever more of the music-making process becomes digitized and perfectible, the change Auto-Tune wrought isn’t going anywhere. As we barrel toward whatever the “AI era” of music will be, we also look for clues in Auto-Tune’s story that point to what’s coming next.

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