Female Filmmakers Take Helm of Growing Polish Industry

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When she was a student at the prestigious Lodz Film School in Poland, Jagoda Szelc was offered the chance to shoot a feature film. It was an unexpected opportunity for the aspiring filmmaker, who w…

Poland

Such attitudes have been hard to shake in Poland, which in recent months has faced a broader reckoning over gender equality after a contentious anti-abortion law passed last October, prompting millions to take to the streets.

For producer Agnieszka Wasiak, who cut her teeth on the set of Uri Barbash’s World War II drama “Spring 1941,” an early influence came in the form of the Oscar winner Puszczyńska. Wasiak says the producer helped foster an open and collaborative atmosphere on set, and “made us believe that we know what we are there for, and we are a team.”

 

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