Buddy Guy Wants the Music Industry to Stop Treating the Blues ‘Like a Stepchild’

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As he approaches his 87th birthday and begins his farewell tour, Buddy Guy reflects on the past, present and future of the blues.

But Guy is quick to add that an end to touring doesn’t mean a complete retirement.

It’s not only peers who have sung Guy’s praises. He’s won eight Grammy Awards plus a Grammy lifetime achievement honor — performing during the afternoon premiere ceremony at this year’s event — as well as 23 Blues Music Awards. He’s received a Kennedy Center Honor, a National Medal of Arts, an American Academy of Achievement Award and a Billboard Century Award in 1993. He’s been inducted into the Rock and Roll Hall of Fame, the Musicians Hall of Fame and the Louisiana Music Hall of Fame.

“Where I grew up, you’d have sandlot baseball teams to play games, and that’s about it,” Guy says. “I wanted to do something the rest of the other kids couldn’t do, and that was play guitar. And I heard Lightnin’ Hopkins and T-Bone Walker, all those great blues players and thought that’s something I wanted to try, too.

Chess gave him work, including sessions for Waters, Howlin’ Wolf, Little Walter, Koko Taylor, Sonny Boy Williamson and more. But the Chess brothers were not fans of Guy’s raw, aggressive playing style and pushed him to record more polished fare. Guy, who had a day job driving a tow truck, wouldn’t release an album with Chess untilin 1967.

That came just in time for Guy’s own legend to finally gain momentum. First he was Eric Clapton’s invited guest for the 24 Nights concert series at London’s Royal Albert Hall in 1990 and 1991. Then Guy signed with Silvertone Records for 1991’s, his first release in nine years. He’s released 12 albums since — including last year’s— many featuring a who’s who of players vested in keeping Guy’s career alive and vital.

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The man was correct. The Blues should be honored and played in the mainstream.

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