as Yasmin, Harry Lawtey as Robert, and David Jonsson as Gus were the young stars—faces I’d never seen before. The ensemble of their older colleagues, especially Ken Leung as Harper’s fearsome boss and mentor Eric, was just as good.
It wasn’t a great show yet in season one—it had more mood than heart—but it was a very, very cool one, with a headlong energy that hit like a drug high. Now it’s back, and having devoured the seven episodes made available to critics, I’d like to go long on-style breakout. Down and Kay have added new characters, amped up the narrative stakes, and the young actors—Herrold and Abela in particular—are giving the most exciting performances on television.
You can still come for the sex and drugs—the new episodes have some startlingly hot moments—but you’ll stay for the waynails post-lockdown anxiety, satirizes shifting workplace mores, and amps up power reversals at its fictional investment bank, Pierpoint & Co. The competition this season between Harper and Eric is especially gripping, but everyone is busy trading moments of supremacy and control.
I haven’t even gotten into crazy-handsome Robert’s shaky foray into sobriety and blue-haired Gus’s into Brexit politics.is still thrillingly cool, but it’s now becoming a great show too—a tense, deeply enjoyable ride that will take you through the end of your summer.
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