Early one morning last summer, I stood inside a museum in Antwerp and watched as a painting was hung on the wall. When I walked in, the gallery was empty. To one side, there was a crate about a metre square. Royal blue, it was unmarked apart from a code number and a yellow stencilled sign reading “Lato da Aprire / Open this Side”. Although its home is nominally Florence, the painting inside was a seasoned traveller: it had arrived the night before from Sicily, by road and under armed guard.
لقد قمنا بتلخيص هذا الخبر حتى تتمكن من قراءته بسرعة. إذا كنت مهتمًا بالأخبار، يمكنك قراءة النص الكامل هنا. اقرأ أكثر: