The year is 2008. Xenophobic violence erupts; the corruption case against Jacob Zuma is before the courts; and a film that sees Leon Schuster dress up as a sangoma is about to smash South African box-office records. Now fast-forward 14 years. It’s 2022. Xenophobic violence erupts; the corruption case against Jacob Zuma is before the courts; and a film that sees Leon Schuster dress up as a sangoma is probably about to smash South African box-office records.
It is necessary to highlight this point because even Schuster himself has reluctantly agreed that blackface is racist, after making untold millions – enough for vast warehouses full of cinema popcorn and Coke – off films and candid camera sketches in which he did appear in full blackface.: “I don’t care about it because I don’t think it’s offensive.” By 2018, he told thethat Twitter had informed him that blackface was “not on”, and he wouldn’t do it again because “it’s just racist”.
To reassure his most diehard fans that he had not come down with a terminal case of wokeness, however, the same 2018 interview also saw Schuster stress the point that he still intended to alchemise comedy gold from the rich material provided by “Cape coloureds”, because, direct quote, “I love the coloureds”.and its celluloid predecessors do not feature blackface, and therefore should be viewed as some of the more progressive entries on Schuster’s CV.
In 2020, it was reported that Schuster’s films were being removed from streaming service Showmax because of a racial reckoning sparked by 370 years of South African colonialism, apartheid and their hangovers. Oh sorry, correction: owing to a racial reckoning sparked by the Black Lives Matter movement in the US.
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