Early one morning last summer, I stood inside a museum in Antwerp and watched as a painting was hung on the wall. When I walked in, the gallery was empty. To one side, there was a crate about a metre square. Royal blue, it was unmarked apart from a code number and a yellow stencilled sign reading “Lato da Aprire / Open this Side”. Although its home is nominally Florence, the painting inside was a seasoned traveller: it had arrived the night before from Sicily, by road and under armed guard.
เราได้สรุปข่าวนี้มาให้อ่านอย่างรวดเร็ว หากสนใจข่าว สามารถอ่านฉบับเต็มได้ที่นี่ อ่านเพิ่มเติม: