What's the Business Case for a Fashion Show in 2020?

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More brands are opting out of the traditional runway format, citing time, cost or just a desire for something different. So why are some designers still sticking with it?

At the end of January, just two weeks shy of the start of New York Fashion Week's Fall 2020 season, blogger Bryanboy asked if somebody could look into "why NYFW [has] pretty much died?"

Erin Hawker, communications expert and founder of Agentry PR, notes that a brand can get 50 to 100 press hits in one single day globally after a runway show , as well as millions of impressions on earned social media. Hawker agrees that "presentations are highly effective and cost a lot less money," and says she would recommend them to emerging designers that can't afford a runway show. "You'll still get a lot of press coverage and it's really convenient for attendees; editors can pop in for five or 10 minutes. Sometimes they don't want to sit through an hour of the pomp and circumstance for a designer that isn't well-known.

Aside from a presentation, something like an art installation — think how Kenzo showed a short film starring Milla Jovovich for Fall 2018 — can be a strong, less cost-intensive alternative to a runway show, says Hawker. More intimate events, like seated dinners, meanwhile, only work for a "high-power, super press darling." Plus, choreographing a way to showcase the collection could be very expensive, and you're basically paying for two things: a presentation and a sit-down meal.

Panichgul reflects on the beginning stages of his career, pre-digital media and Instagram, when success rested on the recognition and approval of Anna Wintour and her peers. His debut appearance at fashion week in 2004 was a presentation — he says he was "one of the first people to usher in that tableau format," and that it "got the attention of Vogue right away.

 

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