, as delegates considered new strategies to connect accomplished immersive works with the widest possible public.
“Unlike VR, [the Full Dome model] creates a social, group-based, and shared experience based on immersion,” says SAT general director Jenny Thibault. “The business model [for traditional VR] is quite complex. Producing a work requires competitions, coordination and support. You can’t do volume exhibition, as it’s very expensive to have headsets for everyone. So we encourage VR producers to develop a dome version as well, because there is already a whole network throughout the world.
And hopefully won't go the way of Laserium shows, whose writing was on the wall when they started doing Pink Floyd shows...
Resumimos esta notícia para que você possa lê-la rapidamente. Se você se interessou pela notícia, pode ler o texto completo aqui. Consulte Mais informação: