Cold comfort and mild praise, maybe, but the strength of Dean Parisot’s go at the Bill & Ted saga is its laid-back, low-stakes nature, wherein even the murder robot sent to lazer Bill and Ted to death quickly becomes their friend while Kid Cudi is the duo’s primary source on quantum physics. Because why? It doesn’t matter. Nothing matters. There may be some symbolic heft to Bill and Ted reconciling with Death in Hell; there may be infinite universes beyond our own, entangled infinitely.
We pick up with Bill and Ted and their wives, Joanna and Elizabeth , and their daughters, Thea and Billie , 25 years after the events of their.
Flummoxed by couples therapy, Bill and Ted agree they should probably get real jobs or their wives will leave them—until Rufus’s daughter Kelly shows up to whisk them to the future and give them another time-spanning mission to embark upon, otherwise all of reality is done for.