Gods on earth: ‘The Brothers Size’ review

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Gods on earth: ‘The Brothers Size’ review: Gods find their freedom in this staging of Tarell Alvin McCraney’s play at the Market Theatre

We enter a Mannie Manim theatre with a minimalist stage design by Nadya Cohen and lighting by Simon King: a pile of tyres heaped against the wall on one end, a black bucket in the center, and a small blue bench on the other end. Once settled, the stage blacks out and a moment later light falls on three actors on the stage and an invocation rises.

On the surface, this is a play about a complex relationship between two brothers and a friend: Ogun Size, an auto-repair shop owner who has chosen for himself an earnest living. He is the maternal older brother of a former convict on parole, Oshoosi, a selfish and reckless young man who simply just wants his big brother to build him a car so he can pick up a girl.

The character of Ogun has multiple facets, an admirable one being how he at times attempts to josh the somewhat exhausted conventions of the role of brotherhood, despite his brother’s ebullient nonchalance. Albeit yielding disconcerting consequences. Manqele tackles this role with upended mastery; in a burly anarchic performance, he skilfully brings out the complexities of the foibles and idiosyncrasies of the “brother’s keeper” with crowing commitment.

 

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