Tony Moments: A night for Broadway to reclaim its groove

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Surely many in the audience were thinking it, but “Company” director Marianne Elliott said it most directly at Sunday's Tony awards: In the devastating two years since the pandemic hit, it “felt at times that live theater was endangered.”

The exuberant ceremony Sunday night was designed to answer that unthinkable possibility with an emphatic “No” — to make clear that whatever the ongoing difficulties, Broadway is back, with verve and creativity, and it's here to stay. It just needs even more people filling the seats.

But if the ceremony was meant to recapture the razzle-dazzle of Broadway seasons past, marking the 75th anniversary of the Tonys with a dollop of nostalgia, it was also a celebration of groundbreaking work by a hugely diverse group of artists. The marquee award, best new musical, went to the highly innovative “A Strange Loop,” Michael R. Jackson’s 2020 Pulitzer Prize winner about a Black gay man writing a show about a Black gay man.

The night was hosted by a supremely confident and versatile Ariana DeBose, who declared at the beginning that Broadway had gotten its groove back. But a quick glance around the room at Radio City Music Hall showed that challenges remain. While nominees and guests in the orchestra were maskless , those in the balconies were all masked — including a group of COVID-19 safety managers being honored — as Broadway theater audiences are still required to be.

 

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