, which runs Jan. 10-17, international growth will be on everyone’s mind. If Gallic exports never did reach pre-pandemic highs in 2022 — the first year, we should note, that many theatrical markets operated without interruption — the local industry hung on all the same.
Meanwhile, Super — a boutique label run by hip distributor Neon — picked up France’s international Oscar submission “Saint Omer” shortly after the film won the Silver Lion in Venice, and will release the Alice Diop-directed title on Jan. 13 — right in the heart of Oscar nomination voting. Calling such fare “part of Orange Studio’s DNA,” the sales exec believes that crowd-pleasing comedies can leave a substantial global footprint. “Internationally, there is always an appetite for high-concepts,” Boucon continues. “And this remains a genre able to launch franchises.”
Still, as the Rendez-Vous marks its 25th year and as it stands to welcome a larger in-person delegation than in the two previous editions — this year’s showcase carries all the more industry heft — the event will signal such gravitas by opening with the world premiere of François Ozon’s “The Crime Is Mine.”
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