Sitting down with The Globe and Mail to offer an exclusive advance look at his inaugural 2019-20 season, Healy says he wants to maintain the theatre company’s new identity as a producer and presenter of international and international-class interdisciplinary performance – but root its work in the reality of this Canadian city at this point in time.
It was about upending people’s expectations of the theatre company – which, prior to Jocelyn’s arrival, had been stuck in a one-size-fits-all regional-style mandate that had become outdated and redundant as Toronto’s theatre scene and population expanded and diversified. But even his inclusion of a more conventional Canadian Stage play in the season is backed by a level of depth of thought about how and when it will most speak to Toronto audiences., a searing 2015 drama about a declining Pennsylvania factory town that has been seen as prescient about the rise of U.S. President Donald Trump and white nationalism in the United States, is the kind of American, Tony-nominated play that could crop up at regional theatres in Canada .
On the whole, Healy’s first season will please those who admired Jocelyn’s changes to the company. There is a selection of interdisciplinary imports such as, a contemporary dance piece from Australia’s Bangarra Dance Theatre.
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