Official Competition review – Penélope Cruz on fire in delicious movie industry satire

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Cruz’s eccentric director employs unorthodox techniques to manage lead actors – and polar opposites – Antonio Banderas and Oscar Martínez

Feel the tension … Official Competition.in the role of a superstar film director. Cruz is most famous for her working relationship with Pedro Almodóvar; often she’s described as his muse – demeaningly, I think. Well, with this playful satire of the movie industry, Argentinian film-making duo Mariano Cohn and Gastón Duprat give her all the power in the role of a borderline tyrannical auteur with a bonkers streak .

She plays eccentric director Lola Cuevas, who is starting rehearsals for her new film: an adaptation of a prize-winning novel about the rivalry between two brothers. Lola’s casting tactic is to hire two actors from different worlds in the leads. Playing the no-good drunken brother is Félix Rivero , a global movie star with a mega-watt smile, but a bit dim in the brains department. Opposite him, respected stage actor Iván Torres takes the role of the strait-laced brother.

Their creative processes couldn’t be more different: Félix puts menthol in his eyes before scenes requiring him to cry. Iván believes in inhabiting a character’s body and soul. They can’t stand each other. Félix is obviously a diva, but Iván has his vanities too. There’s a brilliant scene where Lola spies on him practising his fantasy Oscar acceptance speech .

What Lola does is to pit the two actors against one another to get to the psychological truth of the piece. She’s got a cruel streak, and both men are at her mercy. To make them really feel the tension rehearsing one scene, she suspends a rock the size of a garden shed above their heads from a crane. I don’t believe for a second this would ever happen in real life. But then, Official Competition looks more like a satire of common perceptions about the industry rather than the industry itself.

It’s a very funny film, sending-up human absurdities without being too mean. Cruz is a talented comedian, but she smartly plays it straight-ish here. You never doubt for a moment Lola is the real deal. Nor that Cruz is either.

 

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