is not a show about fashion. At least, not at first glance. The techno-soundtracked banking drama, which is currently airing its second season, showcases a sea of gray and blue suits, often worn underneath the clinical glow of fluorescent office lighting in London. The drab power dressing makes sense in a world unabashedly focused on money and power.
—which returns after being, much like the characters’ clothes, a somewhat stealth pandemic hit —there is more variety to the conservative garb. “For me, the first season looked a bit flat costume-wise,” says costume designer Colleen Morris-Glennon, a fresh hire for season two of the series. Morris-Glennon says her pitch to Konrad Kay and Mickey Down, the creators ofand former finance bros, was simple and forthright.
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