In the new limited series from TV impresario Ryan Murphy and regular collaborator Ian Brennan , post-war Hollywood is reimagined as a burgeoning hub of contemporary progressive thought, where there's room at the top for plucky youngsters of varying colours and sexual orientations — so long as they're uniformly attractive and well-kempt.
All wildly controversial stuff for 40s Hollywood, which was still subject to the conservative strictures of theBut the fierce pushback anticipated by Archie, Raymond, and Camille never quite manifests — because Murphy's Hollywood is little more than a vapid exercise in woke wish fulfillment — in which bigotry proves a startlingly easy condition to treat.
Meanwhile, loitering outside the studio gates, hoping to get noticed by anyone in casting, is recently returned veteran Jack Castello . As a straight white guy, what hampers his path to silver screen glory is not his race or sexuality but a pronounced lack of talent. The results ought to make them squirm in their graves. What was clearly meant to be uplifting, empowering viewing — a risqué revisionist fantasy with a social conscience, why not? — is thoroughly deadened by the sanctimonious tone that often clings to Murphy's slick and soapy melodramas.
Au contraire, Raymond: none of Hollywood's players seem to ever have doubted the industry's power — so ardent is their love affair with show biz, so convinced of its importance, that they can conceive of no nobler or more pressing cause than equal opportunity stardom. Michelle Krusiec plays Los Angeles-born screen siren Anna May Wong, Hollywood's first Chinese American movie star.
What a surprise. ABC News spending taxpayer money to spruik Netflix shows. Again. You report on some real garbage, ABC, but this obsession with helping promote Netflix is really perplexing.
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