Bobbie has a less-than-momentous fling with Andy in “Company,” playing through June 29 at San Francisco’s Orpheum Theatre.
Fortunately it turns out that some shows don’t need extreme makeovers to be relevant. Sondheim’s genius score is ageless, frankly, and the core of human behavior remains much the same. The trials and tribulations of mortality and commitment and urban landscapes are actually pretty timeless. Elliott, best known for “War Horse” and “The Curious Incident of the Dog in the Night-Time,” updates the musical to the pulse of the now, cell phones and same-sex marriages are part of the ecosystem, but the heart of the piece remains the same. A wistfulness lurks around the edges of Bobbie’s hectically happy exchanges. Her ambivalence seems to suggest how quickly the endless possibilities of the big city can turn into a list of what-might-have-beens.
There are a few moments where past and present collide with jarring results, such as “Ladies Who Lunch,” which should be a little more carpe diem and a little less pathetic, despite a solid turn by Judy McLane as Joanne, the witty, serial divorcee.
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