In the song “El Día Antes del Día,” there are elements of trap beats. What was the experience like to blend urbano music into your sound?
And Cabra brings this sophistication and this cleanliness and this purity. Everything, like where he places the microphones, is so carefully thought out. He was the one that told me, “Here are the sounds, and we have to do it like this.” For me, that was amazing. There were things that I’ve always wanted to use, and I never dared to do so. I liked that it was him that pushed the button to use these big sounds while not losing the grace of all the live instruments.
I’m grateful because music makes me feel better. I understand it’s not about me. Every time I get on a stage, or if I’m going to record something, I feel a bit nervous. That’s ego thinking, “How am I going to look? Am I going to do it right? Are they going to like me? Am I going to be accepted?” I crushed that, and I remind myself it’s about the moment. It’s about the music connecting. It’s about us connecting. It’s about the people. So you play your part.