this year after several years of physical absence, and will present its new eco-friendly Canada Pavilion, connecting homegrown producers and production companies with the international market for networking, financing, co-production, acquisitions and sales opportunities.
There’s little doubt that TV exhibitors are eyeing Canadian projects with a bit more interest these days given the immense international success of series including “Schitt’s Creek,” “Letterkenny” and “Transplant.” Looking beyond your own borders, he says, also means that you can find partners with more diverse backgrounds and experiences that might be more symbiotic with specific projects.
They are parallel developing “Nowhere” as both a feature and TV series with U.S. producer Chris Moore , as well as exploring co-production opportunities with Ireland on a horror project “The Estate,” which might have spinoff potential as a series.