. I’m producing a film of it with David Hamilton [directed by Deepa Mehta]. That’s why I was just in Sri Lanka. Shyam was there, and he rememberedfrom 24 years ago. It was quite impactful. This was a first time that an Israeli film was getting a proper theatrical release, in a cinema, five showings a day.
You really helped diversify film choices for Canadian audiences. But also, there’s an article in The Globe archives from 1994 which notes that, when you were just beginning, you spoke about the lack of representation of visible minorities on the Ontario Arts Council and what was then the Ontario Film Development Corporation.Are you surprised at how long it’s taken to get to – well, whatever point we’re at?What’s the adjective you were going to use there?I would say – it’s not representative.
True. My intent was never to make Mongrel into this mega kind of [operation]. We’ve got all kinds of films in our catalogue, but the films that matter are the ones that personally, and from a company point of view, we can really get behind. Films like. Or Deepa’s films. There’s a purposefulness to those films, and we find our job of matching those films to an audience takes a different kind of purpose.Lionsgate is one of the big studios out there.
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