include increases to minimum wages and streaming residuals, the introduction of mandatory staffing numbers and minimum duration of employment, and stronger contributions to retirement and health care funds.
"The vast majority of actors are [used to] gigging; they are living pay cheque to pay cheque, they are working second and third jobs to make it through — and not complaining about it, either," they say.They say while some actors in the US used to be able to live off royalties during audition periods or between jobs, streaming has put an end to that.
Before the age of streaming, US TV series had longer runs and large writers' rooms; now, it's common to have "mini-rooms" with fewer writers who work on shorter seasons of shows.screenwriter Blake Ayshford says we've already devolved to "micro-rooms" Over the last three years, King has worked on five shows for some of the biggest international streamers ; the first time she saw one of her episodes shot was in Los Angeles this year, on her own dime.
Pullen is a fan of local content quotas for streaming services, which the government says will come into effect from mid-2024, thanks to their; the next step is ensuring that the profits from that Australian work is shared by Australian writers. The anonymous Australian actor says that, typically, local actors haven't been able to make a living off residuals from Australian productions.
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