Lushly, rationally rendered, the subject stands in a deepened lavender room, green door swung open, key turned inside its lock to let in the unknown. The emerald green door mirrors the subject’s headband, as her ruby-red nail polish reflects a feathered twinkle from the bulb alight above. Her hand raised up, as if in spiritual exclamation, resembles Mary’s during a heavenly Assumption.
marks a pivotal moment in the artist’s career and represents how by the 1980s, he had won Giorgio Vasari’s so-called battle between ItalianIf Vasari felt that only Renaissance sculptors, with their specific anatomical skills, could successfully marry drawing with color, Maestro Botero would have pleased him.
I hope the buyer will never get into a Wheelchair and have to stare at this 'Venus for Feeder' from this perspective.
OMG I want one sooooooooooooooo bad!